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In It’s Still Not Me, It’s You at Atlanta’s Echo Contemporary Art, Platner’s self-portraits and installations invite the viewer into her world. She coaxes empathy through a variety of strategies, some that are playful and interactive, others that involve showing pain.

Re’al Christian speaks with Kenneth Tam about his recent work Silent Spikes; the entwined mythologies of American Cowboys with Chinese laborers on the Transcontinental Railroad; and the intimacy—and intensity—of male coming-of-age rituals.

The implications of emerging fully black and fully queer into the art world, and of creating images wherein men touch.

It’s all very Videodrome. That body horror manifests in phone-breath-bed 3 (2023), a sculpture presented in its own small room. A silicone face emerges out of a Perspex panel, where, lower down, a silicone slab forms a womblike concave depression. The panel hovers over the form of a hospital bed with the support of gray plastic piping, whose mattress is a screen-skin painting with creased dermal folds framing silicone protrusions that swell from the flatness.

The breathtaking range of topics in Designing Motherhood—choices of whether to conceive children or take a pregnancy to term, infant mortality, sterilization abuse, thalidomide, cesarean birth curtains, masculine birth, baby formula, the faja (a wrap for binding a postpartum abdomen), gender reveals, the Del Em Device, car seats, carers and carrying, the tie-waist skirt, the breast pump, and so on—reveals the immense, intricate knowledge necessary to understand reproductive health, and to advocate for conditions that promote wellbeing.

David Kim and Michael Jones McKean consider the immensity of the horizon and the poetics of a global body.

“Founding Stories: Oral Histories of Grassroots Atlanta” was a decade-by-decade series of panel discussions exploring the founding stories of a selection of Atlanta’s DIY, grassroots, and artist-run spaces.

Shehab Awad takes up the term autosexuality (n.) and offers a parable of self-discovery and acceptance.